The term “white supremacy” so prevalent in recent news and political events has been decades in the making. Its origins lie in 1940s-era social scientific research targeting conservative American culture and values.
A communist-style revolt is sweeping across the United States. In recent weeks Black Lives Matter activist Shaun King has called for the destruction of “White European Jesus” statues and imagery. But exactly how European is Shaun King, and how closely is he tied to the entities bankrolling the revolution? MHB Report investigates.
THE JOURNAL’S FINDINGS undercut one of Google’s core defenses against global regulators worried about how it wields its immense power—that the company doesn’t exert editorial control over what it shows users. Regulators’ areas of concern include anticompetitive practices, political bias and online misinformation.
Permit to me quote from the WSJ’s takedown at length – although I encourage readers, if possible, to read the entire (paywalled) version, for it contains a wealth of information, as well as lots of cool graphics:
Google’s evolving approach marks a shift from its founding philosophy of “organizing the world’s information,” to one that is far more active in deciding how that information should appear.
More than 100 interviews and the Journal’s own testing of Google’s search results reveal:
• Google made algorithmic changes to its search results that favor big businesses over smaller ones, and in at least one case made changes on behalf of a major advertiser, eBayInc., contrary to its public position that it never takes that type of action. The company also boosts some major websites, such as Amazon.com Inc.and Facebook Inc., according to people familiar with the matter.
• Google engineers regularly make behind-the-scenes adjustments to other information the company is increasingly layering on top of its basic search results. These features include auto-complete suggestions, boxes called “knowledge panels” and “featured snippets,” and news results, which aren’t subject to the same company policies limiting what engineers can remove or change.
• Despite publicly denying doing so, Google keeps blacklists to remove certain sites or prevent others from surfacing in certain types of results. These moves are separate from those that block sites as required by U.S. or foreign law, such as those featuring child abuse or with copyright infringement, and from changes designed to demote spam sites, which attempt to game the system to appear higher in results.
In this edited video legendary humorist and author Tony Hendra discusses his role in the history of postwar comedy. Hendra is best-known for playing Ian Faith, manager of the mock heavy metal band Spinal Tap. He was also a pioneer in early British political satire, working with Monty Python founding members Graham Chapman and John Cleese, and was the first managing editor of the National Lampoon, America’s pioneer multimedia comedy powerhouse, where he worked alongside Lampoon founders Doug Kenney, Henry Beard and Rob Hoffman. While at Lampoon Hendra produced the Woodstock mockery Lemmings, discovering comedy giants John Belushi, Chevy Chase, and Christopher Guest.
In recent days I discovered that the Canadian branch of the Israeli-US-based Anti-Defamation League of B’nai B’rith is reporting that I am “well known for using academic credentials to deny the Holocaust.” On August 29, Daniel Leons-Marder mirrored the Canadian B’nai Brith report under the title, “Facebook Allows ‘Kill All Jews’ Post on Wall of Canadian Professor.” In an item Leons-Marder claims has been shared 11,000 times, he asserted “B’nai Brith Canada reported the image, which was ruled acceptable [by Facebook] within two hours, when it was alerted to it having been posted on the Facebook page of Canadian Academic Professor Anthony Hall, who is a holocaust denier.”
Legendary iconoclast Tony Hendra joins Real Politik to discuss the history of postwar comedy and his role therein. Hendra is best-known for playing Ian Faith, manager of the mock heavy metal band Spinal Tap. He was also a pioneer in early British political satire, working with Monty Python founding members Graham Chapman and John Cleese, and was the first managing editor of the National Lampoon, America’s pioneer multimedia comedy powerhouse, where he worked alongside Lampoon founders Doug Kenney, Henry Beard and Rob Hoffman. While at Lampoon Hendra produced the Woodstock mockery Lemmings, discovering such figures as John Belushi, Chevy Chase, and Christopher Guest.